

“How long can you survive?”
The Last House
A family suddenly sealed inside their home must work together to survive against dwindling resources and the ominous threat keeping them trapped.
- Director
- Louis Leterrier
- Writers
- Matthew Robinson
- Producers
- Louis Leterrier, Kori Adelson, Oly Obst
- Cinematographer
- Pål Ulvik Rokseth
- Music Composer
- Yair Elazar Glotman
- Status
- Released
- Budget
- N/A
- Revenue
- N/A
- Countries
- United States of America
- Languages
- English
- Popularity
- 384


Stream on


Top Cast

Greta Lee
Ann

Wagner Moura
Jason

Riley Chung
Ruth (8 Years Old)

Noah Alexander Sosnowski
Graham (12 Years Old)

Emma Ho
Ruth (13 Years Old)

Gabriel Barbosa
Graham (17 Years Old)

Arden Cho
Adult Ruth

Audrey Anderson
Susan

Sid Edwards
Max Richardson
Eveline Reynolds-Boison
Marcia Richardson

Lewis Goody
Greg 'Bike Boy'

Nancy Baldwin
Nancy

Tawny Fontana
Jasmine

Jed Aukin
Scott 'Doofus'

Felicity Bown
One Night Stand Woman

Oliver Henry Arnold
One Night Stand Man
Damian Anderson
Nosey Neighbour

Mark Noble
Fisherman
Gallery
My Notes
Private movie reflections
Reviews
Manuel São Bento
Check out my full review @ https://movieswetextedabout.com/the-last-house-movie-review-louis-leterrier-builds-a-remarkable-house-but-story-misses-its-furnishing/ Rating: C+ THE LAST HOUSE is a film of two very different halves — a sluggish, oddly toneless first hour that squanders a genuinely intriguing premise, followed by a back stretch that finally locates the tension and craft the setup always promised, only to rush its way to an ending more interested in sequel-baiting than resolution. Greta Lee and Wagner Moura are doing real work here, and the fully built, physically degrading house is a legitimate technical achievement that elevates every scene shot inside it, but the script never digs past the surface of its own ideas, leaving genuinely rich thematic territory — isolation, technological dependency, what security actually costs a family — almost entirely unexplored. It’s a divisive movie, one that’s likely to frustrate as many people as it entertains, and it’s easy to see why Netflix sat on the embargo until the last possible moment.
Sierbahnn
This movie changes from a psychological drama about isolation to a full-on survivor horror movie and to then pivot into a near cosmic horror story at the very end. It is an interesting transition and one that not many movies could pull off. This one does it because you are invested in the characters and they are so well acted and so well directed that the premise actualizes them rather than diminish them. The adversarial conditions that the characters are placed in are positioned in the story very well and are given enough good effects so that they become quite terrifying. It is not a movie for the ages possibly, but it is certainly good enough to give it a watch.






































